Showing posts with label worldbuilding. Show all posts
Showing posts with label worldbuilding. Show all posts

Thursday, September 15, 2016

Two Interesting Writing Things that Happened to Me this Week

I'm going to write about the second thing first, because it was more recent and I still feel geeked out by it.

I'll be honest - it was sort of a cool/sad moment. I work part-time at a flower shop, which opens at 9:00 a.m. When I got into work, I discovered we had a wire-in order from PUTNAM, CONGRATULATING ONE OF THEIR AUTHORS ON HER BOOK BIRTHDAY!!!! I kid you not, I stared at that sheet for a full minute, thinking how cool that there was an actual traditionally published author IN MY TOWN and that she got signed by a really big publishing house!!
 
The names have been censored to protect the innocent :)
 
I did feel a little sad that I was so far away from that being MY reality.

But, it was cool I got to deliver her flowers!

But, t was sad because she wasn't home so I didn't get to meet her or get a business card or be all like, "Yo, congrats, gurl!"

But, it was cool to see she posted a picture of the flowers on Twitter! :)

Neat, right? 

The other and FIRST cool thing was that I attended a one-day writing workshop. I LOVE going to those things. They are so inspiring. Gets me really pumped up and in the writing groove again.

I have to say, though, that writing conferences contain some of the most introverted attendees in the world! (It is possible other conferences, such as those for actors, singers, musicians, or anything dealing with the artistic side of the brain contain introverts as well, but I have never seen more people less willing to cause a scene in real life than I see at writing conferences.)
http://www.zazzle.com/introverts_unite_separately_in_your_own_homes_poster-228084884269623431


Let me give you one moment from the workshop:

The speaker is giving the opening speech, all crazy-confident and funny. (Obviously, he is experienced. The public speaker in me suffers some serious envy.)
Mid-sentence, the speaker pauses and asks, "Are you looking for a seat?"
All attendees shift in their chairs, and cast surreptitious glances back.
The person in question hunches up like she's trying to disappear into a sweater and waves a don't-worry-about-it-hand. "It's okay, I'm just going to stand in the back."
Speaker:  "There are seats available, if we could get people to point them out?" Questioning glance around the room.
Timorous hands come up, pointing to empty seats. Nearly inaudible voices say, "There's one here."
Person in question sort of drifts to a chair in the back and goes invisible as she settles.
Speaker goes on like nothing happened, while everyone else breathes relieved sighs that THAT awkwardness is over!

And this happened a couple times, not just once. In retrospect, it was super funny, but at the time there was this camaraderie of commiseration at BEING SEEN IN PUBLIC. It was especially bad when people had to leave to attend their 10-minute query pitch. Standing up in a room of people is hard, you guys! So many muttered regrets of "What was I thinking?" and "Should I go now, or wait another minute, since it's still five minutes before I have to pitch?" and "I wish I was sitting in the back! I'll know better next time."

https://www.google.com/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&ved=0ahUKEwjckvubg5LPAhUI6WMKHfGlCw0QjxwIAw&url=http%3A%2F%2Filirwen.booklikes.com%2Fpost%2F895125%2Fintroverts-unite&psig=AFQjCNERzTy7H99i0G2rxYkLXWrCU24QSg&ust=1474051307455576&cad=rjt


I had a 10-minute pitch of my own, wherein I verbally pitched my query to a really awesome agent. Like, awesome. She was incredibly nice, and actually seemed to like what I had to say. For a writer, that is just really nice, to get the affirmation that your writing isn't as bad as you sometimes feel it is. (Just so you know, a verbal pitch is WAY harder than a round-table critique. At least with a round-table critique, you have your MS in your hand and you can read the printed word aloud and not really make eye contact with anyone. With a verbal pitch, it's just you tooting the merits of your manuscript, and I think most writers are very precious about their ideas. They cradle them close and don't share. Ever. So, saying, "this is what my story is about" and ENGAGING... is hard.)
https://www.tumblr.com/search/may%20dragon


But one thing I realized during my pitch, and which I think came through most strongly, was my love of world-building.

Guys, I could literally world-build all day and not write a lick of story. I love to figure out why MY world is the way it is (such as someone in the far distant history of a particular world making such an enormous mistake that the hero in the present day now has an issue with adamant), and I love to study how other people sprinkle in backstory and implement that into my novels, so I don't have the ever-present problem of INFO-DUMPING (oh cursed words!) or people scratching their heads and saying, "I don't understand what's going on..."
http://giphy.com/gifs/confused-unimpressed-really-LcYag7ADVGsI8

Also, maps.
My first ever cityscape - be impressed. This was HARD

I love creating the history of my world. I also find it interesting that, for the most part, a lot of fantasies tend to have a sort of creation element. Like, this world exists, and while there may not be a One God figure (mine tend to have those, because that's the way I roll), there is often a strong draw from Roman or Greek myths, folktales, legends, and fairytales. I think it's because fantasy reveals a truth. Myths, legends, and fairytales contain that same kernel of truth.

"Fantasy remains a human right: we make in our measure and in our derivative mode, because we are made: and not only made, but made in the image and likeness of a Maker."

~ J. R. R. TOLKIEN, On Fairy-Stories 
 
To end:
 
What is your favourite fairytale?
What is your favourite fantasy book/series?
Do you prefer Greek or Roman myths? (If you answer other, what's the other myth you prefer?)
Favourite fantasy artist?
What's the coolest thing that's happened to you this year?

God bless!

Cat 
https://www.google.com/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&ved=0ahUKEwiDgvTfjJLPAhUI1mMKHQxPA7QQjRwIBw&url=http%3A%2F%2Frebloggy.com%2Fpost%2Fcat-funny-hilarious-cat-gif-lol-cat-funny-cat-best-gif-funny-cat-gif-crazy-cat-c%2F39604852440&bvm=bv.132479545,d.cGc&psig=AFQjCNEzlh8NK9dlMlP3g6XSafLMW_Pg6A&ust=1474053745222518&cad=rjt

Wednesday, May 23, 2012

Starting in the Right Place

I just got back from a perfectly wonderful weekend with the Nevada SCBWI. I attended quite an awesome conference, and got some really excellent feedback, and one of several enormous writing tips.

This is a post for all those writers who have been told, over and over again, to "Start with the action!"

That doesn't always work.

At least, what you don't realise is they mean to start with the right kind of action. For months and months I've been really working on perfecting my language, getting rid of superfluous ands, thens, and thats. I've also worked on making my opening chapter "hookier" and more exciting to read, because people kept saying it was too slow, or too rambling, not enough happened.

So, I made the first chapter quite exciting.

Guess what?

First of all, when I read my sample pages aloud to my critique group at the SCBWI, they all loved my "voice". However, they got a bit confused with names and terms. See, I write YA fantasy. For me, I tend to "name" things and use those names liberally throughout the novel. However, the reader can't divine what those words mean. They wanted a bit more worldbuilding, a bit more grounding in the world and a deeper connection to the character before he was thrust into madness and mayhem.

Same thing happened with my second critique group, except they felt the entire story started in the wrong chapter. I needed to write a new chapter, because I had started with the wrong action, and needed to give the readers a sense of place.

So, my advice is this: starting your story off with a thrilling road chase may not always work, especially in fantasy. It doesn't work for me, and I know that now, thanks to my fabulous critics. For a fantasy writer, you owe it to your readers to take that extra two, five, or even ten pages it takes in order to establish the major points of your world (i.e., if it *happens* to be a mulit-universe world) and to explain, creatively, what certain things mean.

Such as, the word below:

Chrestomathy \ kres-TOM-uh-thee
Noun;
1.A collection of selected literary passages.

Example:  My house is littered with chrestomathy. There's something about collecting selections of literary passages that intrigues me.

Origin:
Chrestomathy literally means "useful to learn" in Greek, from the roots chres ("to use") and math ("to learn").

Wednesday, July 6, 2011

Wednesday, Words and Worlds

I'm doing a summer NaNoWriMo right now, and the thing I love about NaNo is that it allows you to write without worrying about editing. In fact, as I write, I'm discovering nuances about my world that I hadn't really fleshed out yet, and I simply input it into the story for later, so as I'm going through and editing I've got this tidbit of a gem that screams "REVELATION!" at me.

I love world-building. It's something I absolutely adore to do. In bed at night I sometimes think up a character who has these specific powers, and it is SUCH fun coming up with a world that explains these powers and makes them acceptable. I love that whole element of writing.

My favourite world-building comes from places that I've seen, or lived in, and have experienced.

For instance, awhile ago at work, I thought of this dialogue between two characters, one who is older, and the other who is the flippant MC.
It went something like this:

"Life," said Oldie expansively, lifting his glass to the sun and watching the light dance within the crimson depths, "is like a glass of wine."
He paused, and I waited for him to go on, but he didn't. He just stood there with his glass, and seemed lost in a reverie.
I guess that was all the information he was going to impart at this moment. Joy. I got to wait until tomorrow to see why life was like a glass of wine.
Tomorrow, I doubted I'd care.

Somehow, I visualized this MC as a boy, somewhat flippant and street-smart, but I had no setting for him. I simply had a bit of dialogue, and a definite opinion of who he was: a thief, a (sometimes) brat, but a lovable, loving character at heart.

Then I went to Scotland, and WHAM! I had found my setting. Scotland is the home for this thieving MC, a stone city more ancient than the hills, and filled with a magic that has yet to be born.

I'm into the world-building part now, and that is such fun, because the land is going to resemble Scotland, but there are going to be very different rules for my world, especially concerning magic.

Yay! A new story!

In fact, that story is my NaNo novel. Isn't that something? And, you know what's more exciting?  I can see a trilogy being born. Which means, I don't have to let go of my MC sooner than I need to. DOUBLE huzzah!

God bless. :)
Cat
Related Posts Plugin for WordPress, Blogger...